Filed under Oscars

The Artist: (All the good silent puns have been used already)

The Artist is an easy film to like. It’s funny, charming, endearing and simple. And it just won most of the good Oscars. What the Academy likes is rarely what I like, but this is an exception.

It’s easy for a film to be swallowed up by its own hype and awards-praise and this can often result in disappointed viewings from those expecting one of the greatest films of all time. The Artist is not one of the greatest films of all time, but it is a fun and light-hearted tribute to an era of cinema we don’t talk about much (I crack myself up). It’s a fine accomplishment and deserves all the attention its getting, whether or not it was the best film of 2011. Continue reading

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I just love this quote…

Paramount Studios on Sacha Baron Cohen being allegedly banned from attending the Oscars.

“Unless they’re assured that nothing entertaining is going to happen on the red carpet, the Academy is not admitting Sacha Baron Cohen to the show.”

I’m sure nothing entertaining will ever happen on the red carpet.

[From that Deadline story, from days ago]

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The Descendants: Clooney, cousins and comas

The Descendants George Clooney

Peek-a-Cloon!

Alexander Payne has quite a distinct directorial and writing style. His characters feel real, his films look earthly and his dialogue is touching and humorous. The Descendants ticks all those boxes nicely and as long as you’re not dead inside (or in a coma – eh? Eh?) it should evoke some sort of emotional response. Continue reading

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Right Now: About to watch The Descendants at a cinema in the water at the Opera House

image

You should all be jealous.

UPDATE: Great movie. Great venue. Spoiled only by the party boat that sailed by, pumping Kanye West through one of the quieter moments. And bats flying past the screen.

Celebrating Gary Oldman’s Face

Here’s a hastily assembled collection of Gary Oldman’s face, because he’s cool.

The Many Faces of Gary Oldman

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Tinker Tailor Soldier Spy: Candlestick Maker Not Included

Spoiler Alert: There’s no tinkers or tailors in this movie.

Tinker Tailor Soldier Spy is a film about lies. It is an incredibly slow, subtle and grim depiction of cold-war paranoia and mistrust, told from the perspective of a veteran spy investigating the very people he should trust. It’s very British and very old-fashioned, but both lend themselves perfectly to the 60s setting and the classic feel.

Oldman’s performance is so quiet that you could miss it if you blinked. Besides a standout scene in which he describes a meeting with the enemy, his performance is reserved and powerful, expressing a life-long weariness and a stubborn determination through Smiley’s slow, deliberate dialogue. Continue reading

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The Spooools: Like the oscars, except that I like them

Film site Spooool.com has just launched the inaugural Spooool awards and with categories like “Best Facial Hair” and the highly contested “Chastain Award for Screen Omnipresence”, it’s roughly a thousand times more interesting than the Oscars, which I’m already sick of.

They’ll be releasing the winners on the 26th of Feb and if you offer your opinions on who should win in the comments section, they’ve promised to ignore it and pick their favourites anyway.

Click here to see the nominations and have your vote disregarded

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Hugo: Not really for kids, is it?

Hugo

This would be a great time for a hilarious clock-pun

A lot has been made of Marty Scoozazzy’s decision to turn his back on hardcore violence and embrace the kiddies (when you put it like that, it sounds a bit sinister), with critics and movie peers heaping on the praise.

Scoozazzy certainly proves himself as versatile, tackling the material with spades of enthusiasm and gorgeous visual flair. Paris is fawned over in a way that would impress Woody Allen and the setting of the train station is created with clockwork precision (see what i did there?) From the pastry shop owner’s dog to the squeak of the inspector’s fake leg to Hugo’s intimate knowledge of the crawlspaces and crannies, Scoozazzy establishes a definite sense of familiar space and setting. It feels like a thriving, bustling, ominous place to live. Continue reading

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Oscar nominations 2012: Full coverage somewhere else

So the Oscar nominations were released and you can get detailed analysis from about 10,000 different sources. So go get it.

Here we’re going to look back on the biggest Oscar snub in history. The exploding shark from Batman: The Movie not winning (or even being nominated for) a visual effects oscar in 1966.

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